The Phantom of the Opera

The Phantom of the Opera - A synopsis

It is 1911 and the contents of the Paris Opera House are being auctioned off. Present are the auctioneer, porters and bidders. Raoul, now seventy years old and in a wheelchair, buys a poster and a music box. As the auctioneer displays the Opera House chandelier, he explains that it is connected with the legend of The Phantom of the Opera. With a flash of light, the audience is flung back in time, when the Paris Opera was at its height.

Act I

We are thrust in the middle of a rehearsal for the opera Hannibal. Monsieur Lef??vre, the retiring manager of the Opera, is showing the new managers, Monsieurs Firmin and Andr??, the great stage. As the prima donna, Carlotta, is singing, a backdrop falls to the floor, nearly killing her. The cry is raised, “It’s The Phantom of the Opera!” Upset, Carlotta refuses to sing.

Meg Giry, daughter of the ballet mistress, Madame Giry, suggests her friend, Christine Daa??, take Carlotta’s place. Christine has been taking lessons from a mysterious new teacher.

At her triumph in the Opera, is Raoul, a nobleman and patron of the Opera. Raoul recognizes Christine as a childhood friend. He comes backstage after the performance to escort her to dinner, but Christine tells him she cannot go, because her teacher, “The Angel of Music,” is very strict.

When Raoul leaves Christine’s room, the Phantom appears. Christine is lured into the bowels of the Opera House, where the Phantom will continue her lessons.

He leads her to his underground lair, where she sees a frightening vision of herself in a wedding gown. She faints, only to be awakened several hours later by the Phantom’s music on the organ. Creeping up behind him, she rips off his mask. Horrified, he takes her back to the surface.

The Phantom has sent notes to both the managers of the Opera, as well as Raoul, Madame Giry and Carlotta, which give instructions that Christine will have the lead in the new opera, Il Muto. The manager’s refuse to give in to the Phantom’s demands.

Il Muto proceeds as planned, with Carlotta in the lead, and Christine in a secondary role. As promised, disaster strikes - the stage hand, Joseph Buquet, is killed, and Carlotta’s voice is stolen.

In the confusion, Raoul and Christine escape to the roof of the Opera House. There, with all of Paris around them, they pledge their love to one another. They cannot see the Phantom overhearing their vows of love. Enraged at Christine’s betrayal, the Phantom causes the final disaster of the night - the mighty chandelier comes crashing to the stage floor.

Act II

The second act opens at a grand Masquerade Ball, held on the steps of the Paris Opera. No one has heard from the Phantom in six months. Christine and Raoul are engaged, but are keeping it a secret; Christine keeps her engagement ring on a chain around her neck.

Suddenly, the Phantom appears, disguised as The Red Death, and delivers to the managers a score from his opera, Don Juan Triumphant.

At first, the managers refuse to perform the strange, disturbing opera. Then, with the help of Raoul, they devise a plan to trap the Phantom, using Christine as bait. Plans for Don Juan Triumphant, and the trap, are made.

Christine visits the grave of her father. There on the grave stands the Phantom, beckoning her to join him. Raoul appears and takes her away.

At last, the opening night of Don Juan Triumphant arrives. The theater is surrounded by guards and police, eager to catch the Phantom. As the opera comes to its end, the Phantom takes the place of Piangi, the lead singer. He confronts Christine on stage during the performance, and escapes with her once more to his labyrinth below the Opera House. In a last confrontation, the Phantom gives Christine a choice: stay with him forever, or he will kill Raoul. Her decision brings to an end the story of The Phantom of the Opera.

More Detail: The Phantom of the Opera

Winner of 7 1988 Tony Awards including Best Musical, The Phantom of the Opera is based on the novel by Gaston Leroux. It tells the story of the hideously deformed Phantom who lurks beneath the stage of the Paris Opera, exercising a reign of terror over its occupants. The phantom falls in love with the young Soprano devoting himself to creating a new star for the Opera by nurturing her extraordinary talents and employing all the skills at his disposal.

• The Broadway production became the longest running show every on Broadway when it overtook Cats with its 7,486th performance on January 6th 2006.
• Joel Schumacher directed a big screen version of the show which was released worldwide at the end of 2004. It starred Gerard Butler as The Phantom, Emmy Rossum as Christine, Patrick Wilson as Raoul and Minnie Driver as Carlotta.
• It is estimated that Phantom has been seen by more than 80 million people worldwide, with total ticket sales of more than $3.2 billion.
• The Phantom has been produced in hundreds of cities, in more than 20 countries around the world, including UK, US, New Zealand, Japan, Austria, Canada, Sweden, Germany, Brazil, Mexico, Australia, Holland, Switzerland, Belgium, Korea, Denmark, Spain and Russia.
• The Phantom opened at Her Majesty’s Theatre, London on 27th September 1986 and at the Majestic Theatre in New York on 9th January 1988.
• The show has won over 50 major theatre awards including 3 Olivier Awards, the most recent being the 2002 Oliver Audience Award for Most Popular Show, an Evening Standard Award, 7 Tony Awards including Best Musical, 7 Drama Desk Awards and 3 Outer Critic Circle Awards.
• The original cast album of the Phantom of the Opera was the first in British musical history to enter the music charts at number 1. Album sales now exceed forty million worldwide and it is the biggest selling cast album of all time.
• The dazzling replica of the Paris Opera House chandelier is made up of 6,000 beads consisting of 35 beads to each string. It is 3 metres wide and weighs one ton. The touring version falls at 2.5 metres per second. The original version was built by 5 people in 4 weeks.
• The Phantom’s make-up takes 2 hours to put on and 30 minutes to take off. The face is moisturized, closely shaved and the prosthetics are fitted, setting immediately, before 2 wigs, 2 radio mics and 2 contact lenses (one white and one clouded) are placed.
• 2,230 metres of fabric are used for the drapes, 900 of them specially dyed. The tasseled fringes measure 226 metres. They are made up of 250 kilos of dyed wool interwoven with 5,000 wooden beads imported from India. Each one is handmade and combed through with an Afro comb.
• There are 130 cast, crew and orchestra members directly involved in each performance.
• Each performance has 230 costumes, 14 dressers, 120 automated cues, 22 scene changes, 281 candles and uses 250 kg of dry ice and 10 fog and smoke machines.
• The touring production takes 27 articulated lorries to transfer the set between theatres.